6393758619_6961a743de_aperture-blades

Symptoms of oily aperture blades

Oily aperture blades is one of the maladies that can effect old camera lenses. Oil gets onto the blades when the grease in the focus gearing breaks down and leaks. Age and heat are typically what causes the grease to break down i.e. a lens left in a car on a hot sunny day. The blades should be absolutely dry, they do not need lubrication.

The primary symptom of oily blades is usually over exposure on shots where aperture is set smaller than wide open. So for example with a 85mm f1.4 lens, wide open is f1.4. If you set f5.6 on the camera and take a picture it comes out overexposed for no good reason.

What is happening is that while focusing, the camera holds the lens wide open so you have a bright viewfinder and the AF unit can do its job well. When you press the shutter release the camera closes the lens to the specified aperture and takes the picture. With oil on the blades, the blades don't move or not quickly enough to get to the correct position. The result is that you end up with an aperture more open that what was specified on the camera.

There are a few ways to check and see if this has happened to a lens.

  • Visual inspection is the best way. Obviously if you can see oil, you have identified its existence. Remove the lens from the camera and shine a flash light into the lens and look down on the blades. In most cases you can get the best view looking through the front element but you can also try the rear. Oil will appear as a circle or little triangular wings. Clean blades will look consistent and dry. Patterned discoloration is generally a sure sign of oily aperture blades. In large aperture prime lenses this technique is usually very easy to do. For zoom lenses it can be very more problematic.
  • Check "snappiness" of the blades. With the lens off of the camera, pull the aperture actuator back to open the blades. It should retract smoothly without stickiness or inconsistent resistance. When released, the blades should snap closed. If they stick in place or close sluggishly, this may indicate oil on them or a broken return spring.

Some lenses will operate fairly well even with oil on the blades and in other cases the blades might become completely stuck.

The difficulty in cleaning blades varies considerably between lenses. In any case for this job you will need the right tools, instructions and care. If you decide to give it a try, take good pictures or make a video of the disassembly, so you know how to put it back together. Work over a tray or have some way to capture parts if they drop from your work or a spring fires them off.

Of course, for rare or valuable lenses please consider a reputable repair shop. I have heard good reports about Keh’s repair service

Photo by quapan cc Symptoms of oily aperture blades

7654331888_02ef8c327e_Ansel-Adams

Ansel Adams View Camera Being Sold at July 9th Auction

Wallingford, CT (PRWEB) June 28, 2014

This collection of historic photographic equipment can be traced back through Ansel Adams and three generations of the Morgan family. Spanning seven plus decades of use, this equipment has recorded iconic images of people, events and nature of twentieth century America.

 

The featured item is Ansel Adam’s Arca-Swiss 4 x 5 view camera, used by the photographer from 1964 until 1968. Ansel Adams (1902-1984) was a prominent photographer of the American West, and his classic black-and-white images, most made with view cameras, helped to establish photography as a fine art, and Adams as one of the finest and most recognized photographers to date. Ansel Adams equipment, especially a view camera, rarely becomes available for sale, and this may be the first time one has been offered.

 

Also being offered is Willard D. Morgan’s Leica IIIc, owned and used by Willard from 1946 to 1950. He is considered the “father” of Leica 35 mm photography in the United States—a technical writer and Leica designer—original Willard Morgan Leica equipment is both historically important and certainly highly collectible—a pivotal piece for any collection. Other items of interest include, Liliane DeCock’s cameras, including a Zeiss Hologon, Douglas Morgan’s Calumet view camera, a Leica Noctilux, a Kardon Signal Corps camera, and several Nikon, Canon and Alpa cameras and lenses.

 

More information on Ansel Adam's camera, as well as many other items, is available by visiting Revival Auctions. To be a participant in this auction, register for live, online bidding at Proxibid.

 

The Revival Auction Company conducts auctions of rare cameras and other historically significant items. Their digital auction catalogs are used worldwide as a reference tool and price guide, and are an excellent way to keep up with current pricing and trends. Visit the website to request your copy. To participate as a seller in our next event, visit the consigning page on our website for specific information.

Photo by micky mb cc Ansel Adams View Camera Being Sold at July 9th Auction

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Lastest Rolleiflex News

Pinkeens
7187389356 ddc2c6dbf1 Lastest Rolleiflex News

Image by National Library of Ireland on The Commons
Two little guys with their father/grandfather at the pond in Herbert Park, Dublin. One has his net for catching pinkeens, but thought the other might have been controlling a model boat?

The Pergola and covered walkway just above the far side of the pond sadly fell victim to the Snowpocalypse of winter 2010/2011 and collapsed under the weight of snow and ice. That aside, if you visit Herbert Park today, this scene is completely unchanged.

Slow Loose Chippings told us that the "pond in Herbert Park was once the mill pond for the nearby Mill at Ballsbridge" and Niall McAuley provided us with a map showing that old mill pond.

P.S. "Going fishing" myself for a few days, but will be back in action at the end of the week...

Date: Summer 1969

NLI Ref.: WIL 66[3]

Rebel with a camera
Maier used a medium-format Rolleiflex camera which allowed her to shoot at waist level so she could snap away without being noticed (it has been suggested her standard dress of oversized coats and broad hats were calculated to conceal, like a secret ...
Read more on The West Australian

For Whom the Bell Tolled
His chic Polish girlfriend, who took the name Gerda Taro, wielded a Rolleiflex, having traded tight skirts and high heels for worker's overalls and traditional rope-soled sandals. On slow days in the trenches, they orchestrated simulated battle scenes ...
Read more on New York Times

'See an Orange parade before making mind up'
He said during his latest project he had “very little hassle with people more interested in my 1964 Rolleiflex camera”. He said he wanted to get “a wider meaning” to parades that are an “alien tradition” to a nationalist from Short Strand, and which he ...
Read more on Belfast Newsletter

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Nikon 18-200 F3.5-5.6 VR 2 Demonstration / Review

Supplemental information: the VR uses quite a bit of battery. Probably as much as the flash at near full power. Also, the VR "sleep" behavior I demonstrate is true of all VR I've tested. I went to the store and tried 5 different VR lenses and they all went to sleep if you held the lens too still. This only happens when you brace yourself or rest your elbows on something. I doubt you could hold it still enough free-standing. "Normal" mode will attempt to actually lock on and hold that position where as "Active" mode simply dampens movements but does not attempt to out-right stop them. NOTE: be sure you turn off vr for any long exposure! The lens will "drift" causing any long tripod exposures to appear motion blurry. Kind of ironic.

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